"Hopkinson Smith, without doubt the finest lute player in the world today."
-San Francisco Chronicle
"Lute player Hopkinson Smith is still a phenomenon at the age of seventy. No one can bring the Renaissance to life in a way that is as sprightly, as crisp and with as much melancholy as he."
De Standaard - Cultuur en Media, Belgium
July 26th, 2017
The Little Music Room
35 Blakiston Rd, Littlehampton SA 5250
Refreshments included in ticket price
Book online: trybooking.com/BCKCT
Brighton Performing Arts Centre BPAC
305 Brighton Road, North Brighton SA 5048
$50 Book online or cash at door
Longford Anglican Church
Tickets $20 and $15
in Honour of Hopkinson Smith
courtesy of Embassy of Switzerland in Australia
Larry Sitsky Recital Room, Llewellyn Hall, Australian National University
$60 Book online to ensure your seat, limited seating
25th November Melbourne Recital Centre
29th November aboard MV Sydney 2000, departing Barangaroo Wharf 1 (CCC ticketing office) $199
"Smith’s approach is the same: locate the soul of each piece through the most sophisticated and subtle use of extemporized embellishment you’ll ever hear. Yes, it’s that good."
Gramophone, England, Sept. 2017
"Hopkinson Smith is surely the most charismatic lutenist in the world today."
Kronen Zeitung, Austria, 3 January 2018
"Hopkinson Smith himself is still at the top: technically more confident and mellowed than ever, intellectually razor-sharp and clear-sighted."
BR-Klassik, Germany, July 2nd, 2017
Thanks to tour sponsors:
"John Dowland, though also a sprightly and humorous composer, is most famous for the darker side of his character and the pervading melancholy that nourished his unquiet soul. But he was in no way the inventor of highly charged melodic poignancy in solo lute music. Two important composers of the generation of English lutenists that preceded him clearly show signs of great invention including moments of tormented yearnings which led to music of extraordinary depth. John Johnson (died in 1594) and Anthony Holborne (died in 1602) were the most prominent lutenists to remain in England during the Elizabethan period (Dowland spent many years on the Continent). Their œuvre contains rhapsodic Pavans of lyrical intensity and richness of harmony, spirited Galliards, striking character pieces (one of which is entitled “Mad Dog”) and elaborate variations. They were both virtuosos of the highest calibre as the daring of their diminution techniques attests. This program highlights theirs and Dowland’s masterpieces from the 1580s and 90s."
- H. Smith